Heavenly Bodies

Every spring the Metropolitan Museum of Art’s Costume Institute puts on a themed exhibition. It is launched with the star-studded, red carpet Costume Gala – a fundraiser chaired by Vogue editor-in-chief Anna Wintour. While previous themes have been hit or miss, this year’s theme, “Heavenly Bodies: Fashion and the Catholic Imagination”, is enigmatic and quite spellbinding. Now I’m no fashionista by any means. The lone black Calvin Klein party dress in my closet is my one go-to garment for special occasions. And I bought it on sale! 😆 But it can’t be denied that couture designers are true artists. They are full of creative expression, vision, and virtuosity, doing things with silk, satin, tulle, chiffon, beading, draping, and accessorizing that I couldn’t imagine ever doing myself. Pairing these designers with the Catholicism theme would naturally produce an exhibition that is theatrical, intense, mystical, and visually dazzling.

The Catholic faith practice utilizes a treasure trove of accoutrements and adornments. It is rich and elaborate, beautiful in its devotion and layered depths and textures, with saints, statues, and icons, incense and chalices, veils and intricate vestments, Madonnas and Virgin Marys, angels and archangels, holy water and rosary beads, Latin mass and “in nomine Patris et Filii et Spiritus Sancti”. Put these inspirational elements in the hands of fashion creatives and you have quite a show. But as one would expect, this year’s theme also brought its share of controversy. While New York’s Cardinal Timothy Dolan was completely supportive and even attended the gala, other Catholic voices and clergy were not so approving, calling the display sacrilegious and profane. They were particularly offended when pop star Rihanna showed up wearing a miter – the headdress that is worn only by bishops.

I recently attended the exhibition with my dear friend Janet Cook and we really enjoyed experiencing it together. So much fun! I want to share some of my photos here. “Heavenly Bodies” is on display in three locations: there are papal robes and accessories on loan from the Vatican in the Anna Wintour Costume Center. No photos were allowed there, but they’re definitely worth seeing. Then there are the fashions displayed throughout the Byzantine and medieval wing of the Met. And third are more garments and objects uptown at the Met Cloisters. My photos are just from the medieval wing. “Heavenly Bodies” is on view until October 8, so if you’re visiting New York this summer, check it out!

Angel wings by Alexander McQueen:

Christian Lacroix:

Thierry Mugler:

Valentino:

Dolce and Gabbana:

Riccardo Tisci:

Yves Saint Laurent:

Various designers in the ‘Celestial Hierarchy’ gallery:

A row of glittery Versace:

John Galliano:

This Jean Paul Gaultier was one of mine and Janet’s favorites:

And this is the one that got us in trouble. The description said the fabric was jersey, and Janet and I wanted to touch it. So Janet, for what seemed like only a millisecond, touched the fabric between her fingers. Sure enough, a hawk-eyed Met guard came right over to us and said, “Ma’am, ma’am, please, you can’t do that!”. Busted. We apologized, then laughed and cowered away in shame 😆

Mornings at the Museum

Hellooo friends! In the midst of a jam-packed art modeling schedule of late I’ve still managed to see the Michelangelo exhibition at the Met … twice! Eight years in the making, works loaned from 50 museums and private collections around the world, and it shows. And they let you take photos! Why does that excite me so much? Because I’m now the owner of a brand new iPhone 7 which has a superb camera. I’m gonna have fun with this device, and it’s good for Museworthy too. Better pics!

This piece was a real treat, and it exemplifies why artists love to look at drawings even more than paintings – observing a master’s hand at work as he explores ideas and formulates his vision. These are Michelangelo’s studies for the arm of God in the Creation of Adam in the Sistine Chapel. Interesting how he tested two different gestures. And since Michelangelo wasn’t wasteful and reused paper, we can see the faded centaur sketch in the background:

I posted those arms to Instagram. Yes I’m on Instagram now! You know, with all the cool kids 😉 I’m at artmodelnyc if any of you would like to follow me there.

Here’s another drawing that my art model readers will appreciate. The paper is in poor condition but the pose is intense. A male model (all of Michelangelo’s models were men) doing a deep torso twist, turned head and pivoted shoulders. Not easy! The model was most likely one of Michelangelo’s stone cutters or studio assistants:

And a little more fun with my camera in black and white, the Athena Parthenos in the Met’s Great Hall. I posted a video about this sculpture’s installation last year. She’s a beauty: