“We are all strangers in a strange land, longing for home, but not quite knowing what or where home is. We glimpse it sometimes in our dreams, or as we turn a corner, and suddenly there is a strange, sweet familiarity that vanishes almost as soon as it comes …”
— Madeleine L’Engle, The Rock that is Higher: Story as Truth
Hellooooo darling Museworthy friends! I’m here! Where have I been? Oh just on the modeling platforms of the NYC metro area. My last blog post was two weeks ago but it feels longer to me. I suppose that’s what a busy work schedule will do. So to atone for my terrible absence, I come bearing artwork! This is just a sampling of some of the modeling I’ve been doing lately. Here we have works in an assortment of media created in various venues and locales, from artists of marvelously diverse visions, expressions, and styles. Hope you enjoy 🙂
I was honored to pose for a life drawing session hosted by the outstanding figurative artist Patricia Watwood in her Brooklyn studio. It was an extra special treat to see old friends and familiar faces in attendance. I did this standing pose for four 20 minute sets. Robin Kappy did a fantastic job here:
Janet Cook is adept at all media. Pastels, oils, prints, you name it. Recently she’s been doing these really lovely drawings using micron pens. This is her drawing of me in the same pose:
I was delighted to see Tobias Hall at Patty’s session. I became acquainted with Toby at the New York Academy of Art, and I know him to be thoroughly dedicated to his art and a person of kindness and grace. Here is his exquisite rendering of my standing pose and my earlier seated pose on the left side of the page:
Now let’s travel northward to midtown Manhattan, where I posed for the Sketch Club on 43rd Street, a modeling gig I’ve been doing for many years. My dear friend Jean Marcellino created this excellent pastel pencil work of my reclining pose, in which I kept my leg and arm hanging off the edge of the platform. Trying something different!
And we travel even more north up to the 92nd St Y on Lexington Avenue where we had a joyful four Saturdays in Dan Gheno’s class. Again, more old friends and familiar faces. I did a clothed pose with my favorite turquoise scarf as a colorful accessory. Dan Gheno loves that scarf too! James Langford did this large watercolor piece of my seated pose and it came out great:
So that’s what I’ve been doing these past few weeks, my friends. Immersed in the work I love, reconnecting with people I admire and adore, and affirming my belief that being an artist’s model is one of the most rewarding experiences in the world. The hard work is worth it … always 🙂
Mr. Buonarroti is coming to town! That’s a guy more familiarly known as Michelangelo. Renaissance dude, I think you’ve all heard of him 😉 Here in the Big Apple, the Met Museum is gearing up for what surely sounds like a spectacular exhibition. “Michelangelo: Divine Draftsman and Designer” will open on November 13th. Knowing my artist friends they will not only see it within the first week but will return for second and third viewings.
And now I’d like to share a vintage photo of an artist’s model being tortured, in the atelier of French sculptor Henri-Marius Petit, sometime during the 1930s. As you can see, she is holding the pose for the work ‘La Maternité’, without the breastfeeding baby of course. The leaning forward movement? That means eventual lower back pain. Her bent left leg and foot against the hard slab? That kills after an hour. This woman is in art modeling hell. And the men are all sitting around doing nothing while she does all the work! It must have been worth it though. The sculpture won the silver medal at the Salons des Artistes Français in 1934 and was purchased by the city of Metz, which renamed it ‘Monument to the French Mothers’.
This work – this arduous art modeling work – never changes, and I love it for that. The model in this photo is my ‘sister’. All the nude figures in art created from life are immortal images of my brethren. From Michelangelo’s men to Degas’ women, to all the men and women in academy studios and life classes throughout the world today and every day, we artist’s models keep carrying on …
:slides down banister … throws confetti … lands a cartwheel … flashes jazz hands:
Just making an entrance worthy of a blogging milestone, my friends! So here we are, at the decade mark. Woo hoo! That late night when I launched this blog, ten years ago to the day, feels so far away. It’s getting harder to recall the days when I didn’t have this blog! And that’s ok.
Museworthy is just one of countless blogs on the web. I’m sometimes asked how one achieves longevity and builds a steady readership without advertising, without ‘clickbait’ sensationalism, and without high profile popularity. My answers? Well, it’s simple really. Provide original content, communicate in an authentic voice, interact in the comments, and keep the navel-gazing to a minimum. Also, a nude pic from time to time doesn’t hurt either 😆
Speaking of nude pics, we continue our annual tradition with a photo by Fred Hatt of yours truly. Fred and I had a really good session this time, much better than last year when I was a disgruntled pain in the ass. We decided on this pic which exemplifies art model posing – the work I love devotedly, which saved my life back in 2006 when I was so lost, and inspired me to start writing a blog in the first place. Here we can see some of that ‘negative space’ artists like so much, with triangle shapes, a leaning torso, lots of visible anatomy. Fred; beautiful lighting and great collaboration. Thank you, friend.
I must, as always, express my immense gratitude to all of you, for finding just a bit of time in your week to visit Museworthy. Blogging is fairly pointless if no one is reading! Words can’t describe how meaningful it is that longtime readers have stayed with me for the long haul. You guys rock! I’m also very appreciative that new subscribers have come on board. Welcome! To each and every one of you, whether you visit for art, music, tales of the city, or a spot of writing, I am humbled by your presence here. The modest ‘success’ of this intimate little blog makes me feel honored, astonished, and joyful. Big thanks also to WordPress for providing a first rate platform for bloggers.
We’re going ‘old school’ with our music selection this year, and with female voices for a change; early Pointer Sisters from 1973. The ladies from Oakland, California with fabulous harmonies and a funky R&B sound. That’s Anita Pointer killing it on lead vocals, backed up by Bonnie, Ruth, and June. The song, “Yes We Can Can”, was their first hit single and delivers a timely positive message.
So another school year has come to an end, and this thankful artist’s model can wind down from months and months of posing all around town. On this unseasonably hot May evening I raise a glass of cold beer to all the people I had the pleasure of modeling for and interacting with; the artists, the grad students and the undergrads, the class monitors, the instructors and model bookers and maintenance workers, the cherished old acquaintances and the lovely new ones, and especially to this big, crowded, noisy city, which generously provides ample work for us art models like no other city can. It’s amazing. So here’s to you New York. Cheers! :takes a long refreshing gulp of Stella Artois:
Ah, but my wind down won’t last too long. Summer sessions will begin soon and I am, again, thankful to already have bookings in my calendar for June, July, and August. Summer, even with a decent amount of art modeling work, has a different tempo, as it should. Freelance work ebbs and flows like a tide. Learn how to float on the currents and you’ll be just fine. But creating art takes no real “hiatus” if you think about it. Heck I have three gigs next week. Wait … what? I thought this was my vacation! 😆
Here is some of my recent modeling for you, darling readers. My one and two minute quick poses, sketched by my fabulous dear friend Jordan Mejias. A model’s gesture set collected on a single page makes for a wonderful composition in itself. From Minerva’s Drawing Studio last Monday night.
I posted a figure painting to my Tumblr a couple of weeks ago that has received over 200 likes and reblogs. And we all know that accumulating “likes” on social media is the most sought-after form of validation in our culture, right? Do we even matter if we’re not getting “likes”? How are we to measure our popularity and worth if not by “likes”?? 😛 I’m kidding of course, but there was an eye-catching Impressionistic quality to the painting that appealed to many of my fellow Tumblrers.
By the way, does everyone know that I have a Tumblr? In case you don’t, it’s called meanderings and it’s a collection of images that I find interesting, fun, or intriguing. No commentary like here on Museworthy, just a potpourri of cool stuff. Art, photography, animals, etc. Feel free to check it out and assess my curatorial skills.
So the painting I posted was this nude by the 19th century Spanish artist Ignacio Pinazo Camarlench. In addition to the lovely swimming figure, the teal color is great.
Camarlench was born in Valencia in 1849. He grew up poor and worked in various jobs to help support the family. By the time he was 21 he was enrolled in art academies and on his way to a successful career as a painter, doing commissions, receiving awards, and teaching.
I looked at a lot of his work, and I especially like when he worked in a more painterly style with conspicuous brushstrokes. But he really mixed it up over the course of his life, shifting gears in both style and palette. His subjects range from portraits to landscapes to nudes, and many works of his children. I’ve selected a few to share here with my readers.
The Procession in Godella:
Marisa, the artist’s granddaughter:
And the man himself in a really cool self-portrait from 1895. I dig the hat 🙂
Hellooooo friends! We’re just a little over a week away from the Museworthy “Portraits and Pets” Art Show. To those of you who submitted a work, thank you! And if anyone hasn’t submitted but would still like to, you’re welcome to do so. Still a few days left!
I’d also like to pass along an article from Vanity Fair about the current turmoil going on at New York City’s beloved Metropolitan Museum. Art lovers and museum-goers who haven’t heard about this fiasco might be interested. I always thought that the Met’s scheme to ‘re-brand’ and invest heavily in more modern and contemporary art and multi-million dollar expansions could backfire, and now it appears that its really happening. In a nutshell, the museum’s director Thomas Campbell has just resigned, and a so-called “gift” from businessman Leonard Lauder of a valuable Cubist artwork collection – and the construction of a new wing in which to house it – has become less a gift and more a financial albatross. Layoffs, huge budget deficit … it’s all a dismal story of managerial incompetence and the cluelessness of uber wealthy board-of-trustee types.
But this art institution – ‘this’ being the Museworthy blog – can happily report no behind the scenes upheaval! I suppose having only one ‘curator’, no billions of dollars at stake, and no real state on Fifth Avenue might make things easier. Just a little 😆 Which brings me to expressing my thanks to art student Yanjun for letting me post her drawing of me on the blog. This is my pose from Robert Armetta’s ‘Structural Drawing’ class at the New York Academy of Art. For long sitting poses, models can still position themselves in a way with subtle shifts, creating nuanced movement and shapes:
I’ll see you all back here on Tuesday, April 4th for the Museworthy Art Show! Between now and then, I’ll be modeling around town for another busy week of work. I hope you’re all doing well and finding rewards, joys, connections, and inspirations every day.