I hadn’t planned to post a Music Monday this week. Right now it’s 10:30 PM New York time and I’ve decided to squeeze one in just under the wire because of a video I came across on Classic fm, a UK-based classical music site I visit from time to time. In the post, “The awe-inspiring counterpoint in Mozart’s final symphony”, musicologist Richard Atkinson provides an analysis of the symphony’s breathtaking and majestic finale. The symphony, No 41, is known as the “Jupiter” symphony, and it was Mozart’s last and longest. The Jupiter is universally adored and held in the highest esteem as one of the greatest symphonic works ever composed. It’s hard to argue with that status, which is probably why nobody ever does.
I have blogged about Mozart previously. That post touched upon a particular aspect of his genius. The video below illustrates the actual complex workmanship that Mozart employed. Atkinson uses the language of music theory to show us precisely how Mozart achieved the brilliant musical effects he did, with a nuts-and-bolts breakdown. He also uses color coding to highlight the recurrent themes and motifs which I found helpful. Back in my piano studying days my teacher would give me worksheets in music theory, and the more advanced they became the more confused I got! Challenging for mere mortals like me, but simple oxygen for Mozart. But I do love the vocabulary of music theory: counterpoint, intervals, triads.
The Jupiter symphony is a piece that, when you listen to it, you want to shout, “Go Wolfgang, go!! Yeah!!“. Pure joy. Pure uplift. The gleaming musical diamond atop the canon of Western civilization.
I know my fellow classical music geeks will appreciate this. And I also think everyone can enjoy the feeling of underachieving slackerdom and inferiority that comes when exposed to Mozart’s genius. Just kidding! I kid 😉
For those less inclined to classical music deconstruction, something else from Classic fm – a doodle by Mozart on his music sheet. The lovely lady was his pupil, Barbara Ployer. I wonder if Mozart taught her any counterpoint?