Glory to the Figure

In case I wasn’t clear enough in my previous post about preferring figure modeling to portrait modeling, I have some images that might express it more effectively than any words. I had written about the frustration I sometimes feel when I’m confined to sitting in a chair, clothed, when my natural impulse is to pose with my entire body and demonstrate a wider range of movement. From shoulders to hips, from head to feet, from arms to legs, the human figure is ready, willing, and able to show off its “intelligent design”. We can twist and turn, rotate and swivel, extend and contract, balance and shift our weight around, and put on a glorious show that merges both our physicality and our humanity. Muscles allow us to move, bones hold us together, and the whole sublime package provides a timeless source of inspiration to artists throughout history.

Mark Tennant is one of those artists. Recently, I had the great pleasure of posing for him privately. Mark has drawn me many times at Spring Studio, and I have modeled for his class at the New York Academy of Art. Our private collaboration was a marvelous extension of our professional relationship. Mark was kind enough to send along these images of our session together. You can follow Mark’s progress on these and his other works on his Facebook page. Long live the figure!

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Weekend Blah

You know you’re officially old when you’re falling asleep at 9:30 on a Saturday night. Too tired to go out, too tired to socialize, even too tired to read. I remember when I had unquenchable energy, mental clarity, and often went dancing. Dancing? Do people go dancing anymore? Eh whatever. I’m really out of it and just wanted to say hi. Man, is this the lamest Museworthy post ever? I think so. Why am I even writing this? I’m barely lucid and my chances of offering anything of interest is exactly zero. Sorry guys.

Maybe I can jazz things up a bit with some art. It’s my only hope to salvage this pointless post. This is Sleeping Nude with a Red Shawl, by Zinaida Serebriakova:

Serebriakova

Model Derangement Syndrome

Hi there Museworthy friends. Hope you all had a splendid week. Before I get to model derangement syndrome I’d like to share my congratulations and tremendous happiness for my friend Daniel Maidman. Daniel currently has a solo art show at Dacia Gallery where his stunning “Blue Leah” series is on display. I attended the opening last night and it was fantastic. The best opening I’ve ever been to and I’m not just saying that because Daniel is my pal. It really was the best :-)

As for model derangement syndrome, I have entered the 2 – 3 week phase of overbooked, overworked, jammed, no day off, mid-semester modeling mania that leaves me pretty much incapacitated when it’s all finished. Honestly, when I look at my calender book and see all the jobs written in back-to-back and on top of each other,  in all different locations, I feel a little frightened. I wonder “How the hell am I gonna do all this?” :shock:

I will try to post on the blog if I can but if I don’t, don’t worry. I’m not dead, I’m just in the midst of good old model derangement syndrome. Be well gang!

Photo by Fred Hatt

Happy 5th Birthday Museworthy!!

It’s been five years friends. Five years of Museworthy. I’m actually at a loss for words, which as most of you know is quite rare for me! I could repeat what I’ve said every year on these birthday posts; that I never expected this blog to have such longevity, or that it would accumulate over 150 subscribers, and receive 1,000 visitors a day from all around the globe. Or that I’d have enough topics to discuss, artwork and anecdotes to share, and spirited, illuminating discussions in the comments. All these things amaze me still, after five splendid years.

I was thinking about last year’s post and the concerns I raised about continuing to model on a full time basis. But after a fantastic, very busy year of work – and by some miracle NOT having fallen apart physically which was my fear – I look back and wonder, what the hell was I thinking? Of course I will continue art modeling! And blogging. You guys can’t get rid of me just yet ;-)

So Fred Hatt and I collaborated again in his studio and have decided on an image to share for Museworthy’s fifth. A rose-tinted photograph to match my rose-colored glasses perhaps? No. Rose-colored glasses imply unrealistic optimism. I think my optimism level is perfectly real and true and delusion-free. I am a thankful, fortunate gal.

Our music this year comes courtesy of the Beatles. Not one of their more famous songs, but a good one, recorded on the very brink of their breakup. Listen with me to “I’ve Got a Feeling”. John Lennon comes in at 2:05 and sounds adorable. Peace, love, and infinite gratitude to all of you in the Museworthy world . Thanks for reading, supporting, and sustaining this artistic little corner of the Internet.

Your muse,
Claudia  xxoo


Photos at 44

So it seems that I started a minor shitstorm with my last post. Oops. Well, whatever. I’m not going to think about it today. It’s my birthday. And what a gorgeous day it is! I plan not to breathe any indoor air until the sun goes down. I modeled yesterday, then afterwards my family took me out to dinner to my favorite vegan restaurant because they’re awesome like that.

When I came home from our lovely evening I found myself in a strange mood. Maybe it was the wine ;-) Anyway, people often tell me that I don’t post enough pictures of myself on this blog. So last night, in a somewhat bored, tired, and tipsy state, I took a few in front of my laptop. I’m so lazy I made no effort whatsoever to create a real photograph of artistic value, or even ensure that I was fully in frame! All I did was lay down and click the button. Then I messed around with the pictures in iPhoto to give them an abstract look – and by “abstract” I mean gauzy, blurry, and distorted enough to camouflage my disheveled, bedraggled self. All kidding aside, these pictures are a fairly accurate self-portrait, believe it or not, in terms of my current state of mind and self-perception. Take from that what you will.

A rosy/orange tint to conclude my birthday series.

I know there are many comments on the Disclosure post, and I will respond to every one of them I promise. A discussion has developed and, as the blogger, I must participate. Also, thanks to everyone who sent me an email. I will reply to those as well. But I’ll do it tonight, hopefully, if that’s alright with everyone. Right now I’m just going to enjoy the day. Hope you enjoy your Sunday too! Catch you all later.

Love, Claudia :-)

The Photographic Nude

I had the great pleasure of hanging out with a fellow blogger yesterday. Dave Levingston, photographer of Exposed for the Shadows, was in town visiting. He and I were lucky to find a few mutually convenient hours to meet at the Met on a positively gorgeous New York afternoon. Dave was most interested to see the “Naked before the Camera” exhibition and I was delighted to see it with him. The show explores the history of photographic nudes, from the earliest examples of the 1800s to the present.

I’ve learned that it’s advantageous to see a photography exhibit with a photographer. They share with you their passion and enthusiasm, and provide opinions and insights that not even the informative wall texts can offer. Dave was no exception. The man knows his stuff.

Because all the photographs belonged to the Met’s own collection we were allowed to take pictures, which I did. But as I prepared this blog post I found that the images on the exhibition page were really amazing. So the choice was between my crappy pics with glares and glass reflections all over the place, or the superb resolutions on the museum site. Kind of a no brainer. I’ve chosen just a few which I admired for various reasons, but do visit the selected works as there is much more to see.

[Seated Female Nude]  Eugene Durieu

Albumen silver print from glass negative, 1853-54

[Two Standing Female Nudes]  Felix-Jacques-Antoine Moulin

Daguerreotype, ca. 1850

[Thomas Eakins and John Laurie Wallace on a Beach]  Thomas Eakins

Platinum print, ca. 1883

Nude No. 57,  Irving Penn

Gelatin silver print, 1949-50

Modeling and Curating

Hellooooo!!! Happy Sunday my friends! Hope everyone is well.

So this Tuesday, November 1st, is the deadline for Museworthy Art Show submissions. Now if someone submits on say, Wednesday or Thursday, of course it will go in the post. I’m not a strict rule-enforcer. But the thing is that starting Monday, I have seven straight days of busy art modeling, and not much free time. So the earlier I receive the images, the easier it is for me, which is why I set the deadline. For those of you who haven’t sent in yet, try to get it to me as soon as you can. Don’t forget to include medium, description if you have one, your name, and location. And remember to put Museworthy Art in the subject memo.

Also, if you did NOT get an email from me at some point confirming the receipt of your work, then please email me again, as I may not have received it for some reason. Or I just forgot to confirm and need you to remind me! Again, my email is claudielh at aol dot com.

I’d like to post a painting that I’ve wanted to have on Museworthy for a long time but never got around to it. It’s George Bellows’ Nude Girl, Miss Leslie Hall, from 1909. A student of Robert Henri, Bellows was an American realist painter best known for his works of New York City scenes, urban environments, and boxing matches. But like all great artists, he also did nudes. This particular painting interests me because it is not idealized at all. The model is tired, disengaged, distracted, almost jaded. Her pose is awkward, with no pretense toward beauty or elegance. She’s just not into it, her body aches, and wants to be left alone. Or at least that’s the disposition Bellows wanted to capture. I’d say he did it well. It also looks like how I feel when I’m getting dressed after working an exhausting double!

A superb analysis of this painting and more background on Bellows’ nude work, can be found at the Terra Foundation of American Art. I found it quite interesting and I think you will too.

Happy Halloween everyone! Check in here during the week for possible Art Show updates and info, and whatever blogging I can manage during these next several days. I’ll be around :-)

Degas in Boston

While New Yorkers are swooning over and raving about the de Kooning retrospective at MoMA, the good people of Boston have an art exhibition of their own to celebrate. The Museum of Fine Arts is now showing “Degas and the Nude”, and it looks fantastic. If de Kooning is considered a “must-see”, then the Degas show is “must-must- see”! That’s my personal opinion, of course. I am an artists’ model after all, so figurative nudes will always trump abstract expressionism. And Degas nudes? Oh yes! The Boston curators are a group after my own heart :-)

So sometime between now and February 5th, I’ll be taking a train ride to Boston. I think my mom and I should make this a mother-daughter excursion. Degas is her absolute favorite, plus we have a dear family friend, Karla, who lives in Boston. Maybe around the holidays. I’d really like to see both Karla and Boston at Christmastime.

I don’t know if this pastel work is in the Boston show, but I hope so. From 1884, this is Degas’  Woman in the Tub:

Happy 4th Birthday Museworthy!!

Here we are again, dearest friends. Commemorating  another Museworthy blog birthday :-) We have completed four marvelous years. Who would have thought that the life of an artist’s model could inspire enough material for steady blogging? I sure didn’t! Yet, here we are. Here I am, after all this time. It’s a minor wonder, but a wonder nonetheless.

In keeping with an awesome Museworthy tradition, we have a photo of yours truly taken by my friend Fred Hatt. Together we chose an image that reflects where I am right now personally – content, relaxed, fulfilled, breathing in life. Merci beaucoup Fred.

But will this next year – the fifth – be the last year for Museworthy? I can’t honestly say right now. What I do know is that full time art modeling is beginning to take its toll on me. I’ve been feeling it but trying to keep it to myself, until now. I want to be clear though; It’s NOT my spirit. It’s my body.

So a crossroads might be hovering on my horizon. I can either aggressively fend off the deterioration and fight for my right to remain on the art modeling platform with every fiber of my being, or maybe – possibly – think about my future and consider the necessity, the inevitability, of a new life. A different life for my “second half”.

Ah, we’ll see. Right now I can’t contemplate giving up something I absolutely love. Nope. Not today. Instead, let’s just enjoy the Museworthy milestone together as friends. I am still here. Thanks so very, very much, to each and every one of  you :-)

I’ve always liked this track from Bob Dylan. Listen with me to “New Morning”:


A Nude Male Model in Scotland

“Bond. James Bond.”. You can hear the deep, manly voice of Sean Connery speaking those words, yes? But can you envision, like my mother has many times, the strapping, shirtless bod of Sir Sean? Well you can now. A long forgotten nude painting of Connery from 1952 has been discovered and will soon be going on display. The painting was found in the storage possessions of a recently deceased art instructor who was a former student at the Edinburgh College of Art in Scotland.

Before he became well-known as an actor, Sean Connery was a weightlifter and professional bodybuilder. He and some of his fellow bodybuilders posed for life classes at the Edinburgh school to make some extra bucks. Check out this article in the Daily Mail. Before my mother faints, I want her and all the ladies to know that Connery in the painting is wearing what appears to be a jock strap. So no full monty from 007. I think that was standard practice for life classes in the 1950s. I don’t believe male models went fully nude, in Europe or the US, until the 1970s or so.

Click the above links to see the painting. And here’s a photo of a very young, buff Sean Connery, in the middle, with his equally buff buddies. Nice abs :-)

And here is another male model who never starred in Dr. No or got to make out with Ursula Andress. It’s just Academic Study of a Man by Theodore Gericault:

Tony, Jean, and Me

The majority of art modeling work is done solo. Although sessions with two or more models is less commonplace, the opportunity to draw from more than one life subject brings unique challenges for everyone involved. Artists are given choices in figures and portraits, and the models get to work together in a collaborative effort, which is a nice departure from the usual solitary posing. A two model session can mean two models posing separately each on their own platform, or it can be arranged with the two models posing together as one composition.

Last Saturday I had the pleasure of posing with Tony Robinson for an all day drawing group in midtown. An outstanding artist’s model, Tony is also an actor, singer, and comic book artist.

Here is Tony drawn by Jean Marcellino. For this and all the drawings in this post, Jean used pastel pencils and NuPastel sticks on different colored papers:

Although by no means a requirement for art modeling, a well-built physique presents human anatomy with impressive clarity, and artists have the opportunity to draw contours and definition. Tony is terrifically fit and muscular as you can see in Jean’s drawing of his back in this standing pose:

I have never been a big prop person with my modeling. I will use one if asked but I have a weird aversion to the practice (I really should get over it at this point!). However, I fully understand that a creatively used prop can add interest, help to form more shapes and lines, and showcase the model in a unique way. A fine example is Tony’s use of his sash in this drawing by Jean:

For the first half of the session Tony and I posed separately. For the second half we set up a joint pose of Tony standing and me sitting in a chair. It looked great from all views and the artists took several minutes walking around us to find their spot. Jean, always fearless when it comes to taking on the tricky angles, chose this excellent composition:

Saturday drawing was really fun and a wonderful, productive day. Thank you Tony and thank you Jean! :-)

Playing Darts

Some people have the capacity to achieve a Zen-like state of calm and equanimity anytime anywhere, regardless of their circumstances. Our President appears to have that ability, perhaps to a fault. I, however, am not one of those people. I come close sometimes. When I do it usually involves Bach and my iPod. But my attempts at stress management or an effective meditation practice are abysmal. The ability to clear my head has never been my strong suit. It’s something that has eluded me my entire life. What I am able to do is remove myself from – or avoid entirely – situations that I know will aggravate my stress. Hell yeah, I can run and hide with the best of them! But that running and hiding strategy offers no long-term benefits, unfortunately. It’s just a stopgap measure.

My grandmother used to say, “There’s always something”. Not the most eloquent of phrases, but it makes the point. In my head, there is always something – an anxiety, a sadness, an ambivalence, a problem with no foreseeable solution. Between my personal life and sensitive tendencies, and the tumultuous, strife-laden world we live in, there is always something – an issue, a circumstance, an injustice, an unexpected development, or an event that will unnerve and confuse. They move through my head like darts. For me, mental calm is tenuous at best. I get there, but it soon gets rattled by something. Anything. An email, a rude remark, a news story, or a persistent, unfulfilled need inside me. A solid, gratifying day of art modeling and artistic collaboration concludes with me reading an article that sends me reeling. I am jolted out of my meager contentment into a state of profound horror and distress. It then leads to a frantic, bleary-eyed, late night Google search, where I punch in the words “Afghan girl” and “adoption” and “bring afghan girl to US”. And as I scroll through the search results, I cry, feeling panicked and helpless, because I know deep down that my incoherent 2AM Googling is a futile exercise.

Then I try to sleep. But I toss and turn all night without a wink because of that harrowing, heartbreaking article, and I have to be at work again in a few hours. And I will be there, as I always am, sitting perfectly still on the modeling stand, displaying a deceptive illusion of equanimity. But my mind races. The darts come to work with me, the little bastards, and they harass me and jab me while I pose. The dart of those abused Afghan girls. The dart of a hugely annoying family dispute that I’m losing patience with. The dart of a guy I was involved with who contacted me recently out of the blue. More emotions stirred up. More questions. More uncertainties. But I manage to hold still because that is what’s expected of me and what I’m paid to do. Luckily, nobody knows about or detects my internal tug-of-wars. Nor should they. All they need be concerned about are their drawings, their anatomical proportions, their shadings and color values.

But now I’ve gone and published this blog post. Duh! Great. The jig is up. Now everyone will know; the model is human . . .

Here I am curled up fetal-like, mental darts and all. Photo by Fred:

Happy 3rd Birthday Museworthy!!

Here we are again, my dearest friends! Commemorating another Museworthy birthday! :-) Three years of  joyous blogging on WordPress. Oh man, it’s been great fun, hasn’t it? I swear, starting this blog was one of the best decisions I’ve ever made. Because of it I’ve met all of you.

On the first blog birthday it was like “Yes! One full year! I made it! Milestone.”. On the second it was like “Whoa. Two years. Heavy. I’m a real blogger now!”. And this year, it’s just ,”Ooh, yeah. Nice. Cool. Sweet. Awesome.”.

For our celebratory photo we’re taking a departure from the previous two years and going black and white. That was Fred’s excellent idea. Yes, the one and only Fred Hatt, my dear, dear, dear friend and collaborator. We took this picture just last week, when I was without electrical power due to the tornadoes. Fred took me in like a stray dog and let me hang out at his place. I didn’t get a biscuit, though :lol:

Is there any way for me to adequately thank you all – my readers – for your warmth, engagement, intelligence, and friendship? I don’t think so. Hopefully the above photo expresses my gratitude. As for this blog, I definitely feel another year in me. Stay with me and come along for the ride, won’t you?

Keeping with tradition, I invite you all to groove with me to a song. This is the Jackson Five doing their version of “It’s Your Thing”. Sing if for me, Michael . . .


I wish peace and blessings to each and every one of you, from the bottom of my heart.

Love, hugs, kisses . . .

Your muse,
Claudia
:-)

Me and My Shadow

I promised my readers that I would post an image of artwork from the New York Academy as soon as I could get one. Well, I am a woman of her word. After just a few weeks of posing down there, I already have a great drawing to share with all of you. And the timing couldn’t be better, as this really helps to prod me out of my giddy blogging funk.

This pencil drawing was created in Chris Pugliese’s Friday atelier class by Barbara Fail. Barbara is a gifted artist of many talents. She draws, she paints, she sculpts, and I hope I have the opportunity to pose for her again. This one was a doozy! Yes my right arm is leaning into the wall, yes my right foot is raised, and yes the pose was tough as hell. But well worth it I’d say. Only once during the seven six-hour sessions did I have to step out of the pose completely, just to drop that arm for a few seconds and shake out my wrist. Otherwise I hung in there pretty well.

The lighting was set up beautifully by Chris, with the figure half lit and half in shadow. It was a challenge for the artists to capture the “emergent” quality of the model, materializing through subtle values of lights and darks. The standing pose being “active” adds even more interest and movement. A touch different from the garden-variety contrapposto.

So this is me in my first ever modeling assignment at the New York Academy of Art, through the eyes and hand of Barbara Fail. Many thanks to her for letting me take a picture to share on Museworthy:

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It’s Raining Men

Ah, if only! Maybe I should run out out to Victoria’s Secret and make some slutty lingerie purchases. You know, just in case ;-)

No, no. What I’m really talking about is Museworthy’s blatantly sexist history. That’s right, I admit it. The bias toward the female nude on this blog has been pretty glaring, has it not? I looked at my Image Gallery page and noticed that except for a couple of Michelangelos, the artwork subjects are all women, all the time. It’s like the damn Lifetime Channel! So I want you all to know that I am aware of it and I feel bad, especially since I’ve been so fortunate to have male art models reading the blog regularly and contributing such excellent comments and insights, all of which I enjoy and appreciate immensely. So I’m sorry guys! I will make it up to you and remedy the problem starting with this post. The male nude subject is definitely nothing to be ignored. And no, it does not play second fiddle to females.

I envy male life models for many reasons, the most significant being their ability to project strength. No matter how fit and toned a female model may be, it isn’t the same. The male physique, whether buffed, semi-buffed, moderately fit or whatever, projects strength regrardless because of its anatomical characteristics. For example, the widest part of a man’s body is his shoulders, which sit atop the rest of the figure. Visually, the eye sees that width and weight at the top, which projects an image of strength and power. The male body also has straighter lines, sharper angles, and harder surfaces. More traits that go to strength. Female figures have curvier lines, a lower center of gravity (at the hips) and a higher body fat percentage; all things that render a softer, gentler, less-threatening appearance.

Let’s kick off the male nudes on Museworthy with this stunner from the titan of French Neo-Classical painting, Jacques-Louis David. From Greek mythology, this is his portrayal of Patroclus, who accompanied his good friend Achilles to the the Trojan War, where he was slain by Hector. Created in 1780, here is Patroclus, and the male form in all its strapping and virile beauty. A superb twisted pose. Amazing. And you see how the figure does all the work, all the communicating, holds all the expression and emotion? We can’t see his face. Does it matter? No.

jacques-louis_david_patrocle