The last few days have seen my 2014 planner become officially christened. It’s now broken in with my goofy scribblings, underlines, notes, cross-outs, times, names, all the personal hieroglyphics that make my mess of book my own hideous creation. “Port” means “portrait”, “anat” means “anatomy”, and why I won’t make the effort to finish off those words with just a few more letters I have no idea. Maybe I was a stenographer in a previous life. There are also a few racy doodles in the margins but we won’t get into that
Anyway, I’ve been joyfully fielding phone calls and emails bearing work for the spring semester. (“Spring” semester … doesn’t that sound nice in the midst of this winter cold blast? Ah yes.) And as I’m on the verge of starting the new sessions full blast, I am inspired to acknowledge the model coordinators and bookers who keep me working regularly thanks to their conscientiousness and professionalism. They call, they return calls, they honor both teachers’ requests and models’ availability, they straighten out mix-ups, give referrals, and do what they have to do to keep everyone happy. Our business functions best when model coordinators are on the ball. Last semester I was fortunate to have abundant work and wonderfully positive experiences thanks to the good work of those who book models here in NYC: Katie at the New York Academy of Art, Mark at FIT, Sergio at the National Academy, Minerva and Jordan at Spring Studio, Marilyn at the National Art League, Robert at the Long Island Academy of Fine Art, Randall at Figureworks Gallery, and all the individual artists who contact me for private sessions and groups. I work steadily because of these folks. To all of them, a heartfelt and sincere thank you. I’m ready to drop my robe, so let the spring term begin!
The Artist’s Studio, Jose Malhoa, 1894: